Javed Akhtar's National & Filmfare Award Winning Songs

Question

Javed Akhtar needs no introduction when it accompanies scripting Bollywood movies or melodies. The veteran scriptwriter turned lyricist appreciates stowing all the abstract grants in all classes reliably. The remainder of the essayist Mughal's who has produced a portion of the greatest blockbusters scripts of all times with Salim Khan in the 70's and 80's. In the wake of turning lyricist with 'Dekha Ek Khwaab Toh… " for Yash Chopra's exemplary "Silsila" in 1981, he never thought back. From that point forward the scribe has penned various diamonds which have turned into the spirit of numerous pieces that keep on remaining evergreen till date. Throughout the years, he has won the Filmfare Award fourteen times - seven times for Best Script, and seven times for Best Lyrics. He has won the National Award five times for Best Lyrics. The verses of 'Sandese Aate Hain' from 'Fringe', 'Panchchi Nadiya' from "Outcast" and 'Radha Kaise Naa Jale' from "Lagaan" got him the National and additionally Filmfare Award that year. Underneath, we investigate all his National and Filmfare Award Winning Songs. 

 

Ek Ladki Ko Dekha Toh Aiysa Laga (1942 : A Love Story - 1994) 

This Vidhu Vinod Chopra great ended up being the swan tune of music author R.D. Burman who didn't get by to see the accomplishment of the movies music. This number emerged as Kumar Sanu's vocals kept it freshness in place even following 21 years of its discharge. Javed Akhtar won his first Filmfare Award for best verses for this tune as it portrayed everything that a man feels for a young lady in the wake of experiencing passionate feelings for her. Picturised on Anil Kapoor and Manisha Koirala, the tune was a moment chartbuster even before the arrival of the film. 

 

Ghar Se Nikalte Hi (Papa Kehte Hain - 1996) 

This number from Mahesh Bhatt's 'Dad Kehte Hain' was a moderate starter which got to be prominent as it climbed the outlines. Sung by Udit Narayan and formed by Rajesh Roshan, this tune penned by Javed Akhtar helped him pack his second Filmfare Award for best verses. The collection had different jewels as well too yet this tune took the cake. The film didn't do well as it had relative newcomers as Jugal Hansraj and Mayuri Kango who played the leads. 

 

Kya Tumne Hai Keh Diya (Saaz - 1996) 

Javed Akhtar won his first National Award for this collection which had structures by Zakir Hussain, Bhupen Hazarika, Raj Kamal and Yashwant Deo. The film was coordinated by Sai Paranjpe and approximately in light of the account of artist sister's Lata Mangeshkar and Asha Bhonsle. Among the part, 'Kya Tumne Hai Keh Diya' turned out to be exceptionally well known. 

 

Sandese Aate Hain (Border - 1997) 

This Anu Malik structure brought Javed Akhtar his third Filmfare Award and second National Award. The melody sung by Sonu Nigam and Roop Kumar Rathod portrayed the desolation of an officer who is at the fringe securing his nation and recalling his family. The verses over controlled the length of this 10 minute tune which is an unquestionable requirement hear for each Indian. 

 

Maati Re Maati Re (God Mother - 1998) 

'Maati Re… " got Javed his third progressive National Award in succession. This melody rendered by Lata Mangeshkar had music by Vishal Bhardwaj which depicts the anguish of a lady's affection for her country. Shabana Azmi played the fundamental hero in this Vinay Shukla directorial. 

 

Panchchi Nadiya Pawan Ke Jhonke (Refugee - 2000) 

This chartbuster is one of Anu Malik's best creations from JP Dutta's 'Displaced person', which presented Abhishek Bachchan and Kareena Kapoor interestingly on screen. Sung by Sonu Nigam and Alka Yagnik, the verses act out how youthful mates feel when an outskirt isolates them from meeting each other. This number gave Javed a twin-regard by winning the National and the Filmfare Award that year. 

 

Ghanan-Ghanan and Radha Kaise Naa Jale (Lagaan - 2001) 

The lyricist in Javed was at its top with each number turning gold in the cinema world. His melodies in "Lagaan" are considered points of interest which had splendid music by AR Rahman. 'Radha Kaise Naa Jale' and 'Ghanan-Ghanan' both got him the National Award that year where as the previous brought him the Filmfare Award that year, separately. 

 

Kal Ho Naa Ho (Kal Ho Naa Ho - 2003) 

Tune doesn't show signs of improvement than this. This title track can without much of a stretch be viewed as one of Sonu Nigam's unsurpassed best melodies. This current film's music collection made by Shankar-Ehsaan-Loy got them the Filmfare Award for best music though Javed won it for best verses and Sonu Nigam for best playback singing, separately. 

 

Tere Liye (Veer-Zaara - 2004) 

The tunes of 'Veer-Zaara' were structures made by the late music executive Madan Mohan when he was alive. It was following 20 years of his passing endlessly that the tunes were utilized for this Yash Chopra musical romantic tale. Javed saab was the perfect decision to legitimize the tunes in the collection. This melody had the relieving vocals of Lata Mangeshkar and Roop Kumar Rathod. 

 

Jashn-E-Bahara (Jodhaa Akbar - 2008) 

Javed Ali loaned his voice for this sentimental track from Ashutosh Gowarikar's period adventure 'Jodhaa Akbar'. AR Rahman's tunes were penned by Javed saab and as is commonly said the rest is history. Javed saab went ahead to sack his seventh Filmfare trophy for best verses for this melody and AR Rahman packed away that year's Filmfare trophy for the best music chief for his score in the film.